Melissa Fitzgerald (she/her)
Artist
Instagram: @_witchhazelart_
Melissa Fitzgerald (she/her) is the self-teaching artist and maker behind the creative collection, named for her maternal Grandma, Witch Hazel Art. Established during the early months of the pandemic, Witch Hazel is Melissa's creative response to finding comfort in nature, practicing art as a therapeutic tool to manage feelings of anxiety and isolation, a much-needed internal slowing down, and a desire to re-engage with her community in meaningful and authentic ways. Melissa mostly works in watercolour, a medium that requires the artist to relinquish some control, be patient, and lean into unexpected turns. Often the most beautiful marks are rendered when we let ourselves play and experiment and make mistakes. Melissa currently works as an Art Instructor for the City of Kitchener, teaching youth and adults. She prioritizes art as a means of self-expression, story-telling, self-care, and community building.
A Guide to Enjoying Nature in the Waterloo Region
Click on the infographic image below created by Melissa to enlarge and save it.
A Walk in the Woods with Melissa
Art by Melissa
Each of the pieces I chose to be featured in my AR gallery have ties to the following themes that inspire my art: connection, communication, community, cycles, (nature) conservation.
Forest Lungs – Watercolour 6x8 inches. Autumn, 2022
I painted this iteration of Forest Lungs in October 2022. An earlier draft emerged in Spring 2021, as a response to several things occurring simultaneously. Firstly, we were closing in on over a year of living with the COVID 19 respiratory virus, and of course this changed the world in considerable ways; in how we thought about breath and how we shared space with each other in more thoughtful ways (masking, observing some social distance). Certainly, we became aware of breathing, coughing, singing and communicating in very new ways.
During lock-down, and working remotely, I began to spend a lot of time in a small woodlot near my home in North Waterloo. I’ve always enjoyed nature to a normal extent, but during the first year of the pandemic, my time spent in the woods became habitual and transformative. Many years living with anxiety and panic attacks, I became aware of how my breath deepened and slowed as I lost myself for stretches of time wandering and exploring and noticing minute changes as late winter unraveled into spring. I’d found my place, the woods restored my breath
Later that summer, I would read the book Forest Bathing by Dr Qing Li and learn of the many vital physical and psychological benefits of slowly and mindfully taking in the sights, sounds and smells of forests.
Forest Lungs is my ode to finding healing in the woods amidst a pandemic.
Crone Season – Watercolour and ink, 6x8 inches. Autumn, 2022
Crone Season is the second of my uterus/fallopian tubes/ovary paintings. This painting acknowledges cycles, seasons, fertility, harvest. Endings and beginnings and endings. Each spoke of the wheel of the year is essential to continue the momentum
“Crone” was historically used as a pejorative term to insult older women, women who might have been feared, women who were ‘unpleasant’ and deemed no longer of use, due to their infertility. Until relatively recently, was rare for a woman to outlive her reproductive years, so little was known of what we now understand as perimenopause and menopause.
Today we still fear and revile age, and particularly dread a perceived loss of beauty and vitality. We go to extremes to fight a losing battle against the inevitability of time. We speak in hushed tones - or not at all - of hot flashes, dryness, mood swings and missed cycles.
Crone Season is a reclamation. It’s a resistance to the idea that any season or stage is less worthy than another of celebration.
Fruiting Body – Watercolour, 6x8, Autumn 2022
I’ve always been enamored by mushrooms and have been sketching and painting them for decades. Fungi are neither plant nor animal but share similar sequences of development and reproduction. The most recognizable, but temporal, part of the fungal life cycle is the mushroom fruiting body. Spores are released from the pores, gills or by other natural transmission (insects, birds). The spores, like seeds, are locally transported, which ensures the continuity of the fungal community.
Mycelia are the network of root-like threads that develop from the spore dispersal, from which the fruiting body grow. Mycelia are messengers, and they are responsible for sending nutrients from the surrounding environment to the mushroom
Fruiting Body captures a fleeting splendid moment of a long and continuous cycle.
Slow Jam – Watercolour and ink, 6x8, Winter 2022
The first of several slow-moving terrestrial mollusks paintings, Slow Jam depicts a common garden snail; tentacles extended, curiously making its way, but in no particular hurry.
With most of the subjects I render, I tend to take symbolic value from their traits. I picked up watercolour as a medium in the first place as a way to slow my thoughts and focus on all the interesting and unexpected ways various pigments interacted when mixed and blended with water. Slowing down, practicing something that does not always yield anything of monetary or social value, and relinquishing control and discipline in favour of play is deeply therapeutic, and something we just stop doing as adults.
Slow Jam challenges the grind; it’s anti hustle. It reminds us to slacken our pace and take notice of the world around us.
Old Crow – Watercolour and ink, 6x8 inches, Spring 2023
Another nod to age and derision, but also to wisdom, community, memory and messengers.
Some things to note about crows: Crows are communal birds and roost in large numbers of many families. They can live for over 12-15 years, and don’t reproduce until they are around 2-3; but the youngsters do help take care of the fledglings. They are clever foragers and have been known to make and use tools – which is testament to their intelligence! Crows can memorize human faces and recognize them for years, remembering acts of kindness, and rewarding these gestures with gifts.
When we see ourselves in other species, I think we’re more apt to care about protecting and conserving natural spaces
Old Crow is a simple homage to these fascinating, and often misunderstood birds.